“How do you know that my being with him helps him?” asked Joan. She must write to him. The sooner it was done, the better. Half a dozen contradictory moods passed over her during the composing of that letter; but to her they seemed but the unfolding of a single thought. On one page it might have been his mother writing to him; an experienced, sagacious lady; quite aware, in spite of her affection for him, of his faults and weaknesses; solicitous that he should avoid the dangers of an embarrassing entanglement; his happiness being the only consideration of importance. On others it might have been a queen laying her immutable commands upon some loyal subject, sworn to her service. Part of it might have been written by a laughing philosopher who had learnt the folly of taking life too seriously, knowing that all things pass: that the tears of to-day will be remembered with a smile. And a part of it was the unconsidered language of a loving woman. And those were the pages that he kissed.!

Mrs. Denton’s friends called upon her, and most of them invited her to their houses. A few were politicians, senators or ministers. Others were bankers, heads of business houses, literary men and women. There were also a few quiet folk with names that were historical. They all thought that war between France and England would be a world disaster, but were not very hopeful of averting it. She learnt that Carleton was in Berlin trying to secure possession of a well-known German daily that happened at the moment to be in low water. He was working for an alliance between Germany and England. In France, the Royalists had come to an understanding with the Clericals, and both were evidently making ready to throw in their lot with the war-mongers, hoping that out of the troubled waters the fish would come their way. Of course everything depended on the people. If the people only knew it! But they didn’t. They stood about in puzzled flocks, like sheep, wondering which way the newspaper dog was going to hound them. They took her to the great music halls. Every allusion to war was greeted with rapturous applause. The Marseillaise was demanded and encored till the orchestra rebelled from sheer exhaustion. Joan’s patience was sorely tested. She had to listen with impassive face to coarse jests and brutal gibes directed against England and everything English; to sit unmoved while the vast audience rocked with laughter at senseless caricatures of supposed English soldiers whose knees always gave way at the sight of a French uniform. Even in the eyes of her courteous hosts, Joan’s quick glance would occasionally detect a curious glint. The fools! Had they never heard of Waterloo and Trafalgar? Even if their memories might be excused for forgetting Crecy and Poictiers and the campaigns of Marlborough. One evening—it had been a particularly trying one for Joan—there stepped upon the stage a wooden-looking man in a kilt with bagpipes under his arm. How he had got himself into the programme Joan could not understand. Managerial watchfulness must have gone to sleep for once. He played Scotch melodies, and the Parisians liked them, and when he had finished they called him back. Joan and her friends occupied a box close to the stage. The wooden-looking Scot glanced up at her, and their eyes met. And as the applause died down there rose the first low warning strains of the Pibroch. Joan sat up in her chair and her lips parted. The savage music quickened. It shrilled and skrealed. The blood came surging through her veins. “This young man of yours,” he asked, “what is he like?”

“Only the really wicked,” contended Flossie. “It would classify us. We should know then which were the sheep and which the goats. At present we’re all jumbled together: the ungodly who sin out of mere greed and rapacity, and the just men compelled to sell their birthright of fine instincts for a mess of meat and potatoes.” “I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.” Poor fellow! She had come to understand that feeling. After all, it wasn’t altogether his fault that they had met. And she had been so cross to him!